(The Age)

Lina Andonovska Review

(Articles & Program Notes)
Published – 17.11.2019
(Writing)

LINA ANDONOVSKA ★★★★
Melbourne Recital Centre, October 18


The Melbourne Festival is, it seems, in the business of reinventing the solo recital this year.

With this in mind, inviting flautist Lina Andonovska to participate in this year’s proceedings feels like very good fortune indeed: we take her technical prowess for granted, but her stage ability is something to behold.

It is, in my experience, a rare thing to attend a solo flute recital and not once be tempted to flick through the program notes or perhaps drift off into thinking of other things, but Andonovska does not simply ask for your attention, she demands it.

This “flute recital” had all the usual elements we expect and appreciate from the Recital Centre; clever programming, a focus on new work and Australian composers, but here we were also greeted with stamps, shouts and immersive lighting design.

From the moment Andonovska entered barefoot and playing difficult excerpts from composer John Fonville so naturally that she could have been improvising, the audience was firmly in her palm.

Fonville's Music for Sarah, a work in six parts, were threaded through other programmatic choices – Brett Dean’s percussive and angular Demons, Jennifer Higdon’s aptly titled Rapid Fire, and the starring piece of the night, a new work from Irish composer Donnacha Dennehy, titled for and dedicated to visual artist Bridget Riley.

Playing along to pre-recorded layers of all-flute accompaniment, Andonovska soared through the juxtaposing cinematic colours and rhythmic grooves of this new work.

Again, this was more than a flute recital: it was warm, intimate and progressive and showcased not only a great technician but a holistically excellent performer at the helm.

(Articles)
Recent Reviews: August/September,
Limelight Magazine

Published – 07.09.2022

(Journal)

Air Mail’s 66 Questions
Published – 07.09.2022

(Journal)

Recent Reviews: June/July,
Limelight Magazine

Published – 15.07.2022

(Journal)

On Kunstkamer
Published – 16.06.2022

(Articles & Program Notes)

An Update
Published – 09.06.2022

(Journal)

Recent Reviews: April/May,
Limelight Magazine

Published – 23.05.2022

(Journal)

I Vespri Siciliani,
Melbourne Symphony Orchestra

Published – 19.05.2022

(Articles & Program Notes)

Verdi & Prokofiev,
Melbourne Symphony Orchestra

Published – 19.05.2022

(Articles & Program Notes)

A Collection
Published – 23.03.2022

(Journal)

Crying at Night
Published – 27.08.2021

(Journal)

Jam Tomorrow
Published – 18.07.2021

(Journal)

Rumaan Alam’s Current Enthusiasms
Published – 18.06.2021

(Journal)

A Musician’s Day
Published – 23.05.2021

(Journal)

Creating the Dream Team,
Musica Viva

Published – 20.05.2021

(Interviews)

There are Fairies,
Canberra Symphony Orchestra

Published – 26.04.2021

(Articles & Program Notes)

Konstantin Shamray,
Musica Viva

Published – 14.04.2021

(Interviews)

The Meaning of Alleluja,
Bach Akademie Australia

Published – 26.03.2021

(Articles & Program Notes)

Doing The Work
Published – 07.03.2021

(Journal)

Diana Doherty and Emma Jardine,
Musica Viva

Published – 20.02.2021

(Interviews)

Welcoming the New Year
Published – 07.01.2021

(Journal)

On hard times, for my friends.
Published – 10.08.2020

(Journal)

Luisa Miller,
Intermusica

Published – 22.07.2020

(Interviews)

Singing Violetta,
Intermusica

Published – 22.07.2020

(Interviews)

On Wondering
Published – 29.04.2020

(Journal)

A Couple Quick Things
Published – 05.04.2020

(Journal)

Staying Hopeful
Published – 24.03.2020

(Journal)

Hard Time Reminders
Published – 16.03.2020

(Journal)

Noted, Recently
Published – 05.03.2020

(Journal)

Through Winter, To Spring
Published – 04.03.2020

(Journal)

Poems for Summer
Published – 05.01.2020

(Journal)

Nevermind Review,
The Age

Published – 17.11.2019

(Articles & Program Notes)

Seraphim Trio Review,
The Age

Published – 17.11.2019

(Articles & Program Notes)

Stalin’s Piano Review,
The Age

Published – 17.11.2019

(Articles & Program Notes)

Australian Brandenburg Orchestra Review,
The Age

Published – 17.11.2019

(Articles & Program Notes)

Horsely & Williams Duo Review,
The Age

Published – 17.11.2019

(Articles & Program Notes)

Lina Andonovska Review,
The Age

Published – 17.11.2019

(Articles & Program Notes)

Brian Cox & MSO,
The Age

Published – 17.11.2019

(Articles & Program Notes)

Arcadia Winds Review,
The Age

Published – 17.11.2019

(Articles & Program Notes)

Nevermind Pre-Concert Talk,
Musica Viva

Published – 22.10.2019

(Articles & Program Notes)

Nicole Car in Recital,
Melbourne Recital Centre

Published – 09.08.2019

(Articles & Program Notes)

Tchaikovsky’s Violin Concerto,
Melbourne Symphony Orchestra

Published – 03.07.2019

(Articles & Program Notes)

Verdi’s Requiem,
Melbourne Symphony Orchestra

Published – 19.05.2019

(Articles & Program Notes)

Requiem Blog,
Melbourne Symphony Orchestra

Published – 20.03.2019

(Articles & Program Notes)

New Year, New Words
Published – 20.01.2019

(Journal)

How To Be Perfect
Published – 06.01.2019

(Journal)

The Year, Gone
Published – 30.12.2018

(Journal)

Relationship to Work
Published – 03.12.2018

(Journal)

French Classics,
Melbourne Symphony Orchestra

Published – 28.11.2018

(Articles & Program Notes)

Everything is Waiting
Published – 15.11.2018

(Journal)

In September, Things That Are New
Published – 29.09.2018

(Journal)

Make the Ordinary Come Alive
Published – 03.09.2018

(Journal)

New Music,
Darmstädter Ferienkurse

Published – 12.08.2018

(Articles & Program Notes)

Notes on Love
Published – 06.07.2018

(Journal)

Remember This Feeling
Published – 05.06.2018

(Journal)

Words in Mind
Published – 18.05.2018

(Journal)

Away From Home
Published – 16.05.2018

(Journal)

The Blank Page
Published – 14.05.2018

(Journal)

On Music and Friendship,
Orchestra Victoria

Published – 03.05.2018

(Articles & Program Notes)

Musical Directions
Published – 24.12.2017

(Journal)

Learning to Sing,
Rehearsal Magazine

Published – 17.12.2017

(Articles & Program Notes)

Behind-the-scenes of The Merry Widow,
Senza Sord

Published – 03.12.2017

(Interviews)

Musical Quirks,
Musica Viva

Published – 06.10.2017

(Articles & Program Notes)

Beauty and Tragedy,
Orchestra Victoria

Published – 24.07.2017

(Articles & Program Notes)

Eighth Blackbird,
The Music

Published – 23.02.2017

(Articles & Program Notes)

Schubert’s Swan Song
Published – 23.09.2016

(Articles & Program Notes)

Songmakers Australia,
Limelight Magazine

Published – 12.04.2016

(Interviews)

On Women in Music,
Ensemble Goldentree

Published – 05.03.2016

(Articles & Program Notes)

Grandma’s Hands,
Hundreds and Thousands

Published – 29.11.2014

(Articles & Program Notes)